Probe Profile: Efren Reyes

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Efren Reyes and Cheche Lazaro (source: The AnitoKid on BIlliards)

Watching the Probe Profile on Efren Reyes, I kept hoping for some dirt, perhaps a competitor’s jeer or a scintilla of a scandal.  The profile, which heavily revolves around Cheche Lazaro’s interview with Mr. Reyes, and first aired in July 2009, borders on hagiography.  He may have earned the moniker ‘The Magician,’ but if this exposé were to be believed, he should have been christened ‘The Saint.’

Had I become so jaded that I could neither believe nor enjoy an unsullied rags-to-riches story? Does every hero need a dark side?

Martin Luther King, Jr. was posthumously discovered to be an extensive plagiarist. John F. Kennedy was a compulsive womanizer. Albert Einstein was a xenophobe. Even Mother Teresa is clouded by controversy, ranging from misuse of funding to religious evangelism.  Let’s face it: most of the world’s Most Admired have some skeletons in their closet.

And then there’s Mr. Reyes, 55 years old at the time of the Probe Profile, whose life story incredulously seems beyond reproach or blemish. You can watch the full Probe Profile here.

Born the fifth of nine children in Pampanga, Philippines, Mr. Reyes grew up dirt-poor.  He got introduced to billiards at age 5, when he was sent to work in Manila at his uncles Lucky-13 billiard hall.  The pool table was literally his bed. Like an innocent moppet, he watched money trading hands at that pool hall, and so began playing pool “so people would hand over money to [him].”

Fast-forward and the young Reyes, who originally had to stand on stacked Coke cases to reach the table, became a formidable hustler for his uncle.  By his early 20s, a larger audience was taking notice, especially after he was profiled by an American sportswriter. He won his first tournament in 1985 and earned $10,500.  Three years later, he beat the reigning Philippines billiards champion Jose “Amang” Parica. In 1996, he beat Earl Strickland in The Color of Money tournament, a race to 120, for which he won $100,000, the largest single-winning purse at a pool event at the time.

From there, his biography only goes north. In 1999, he defeated Chang Hao-Ping to win the World Professional Pool Championship in Cardiff, Wales. It was the first time the championship had been broadcast globally, and Mr. Reyes returned to his home country a national hero and helped turn billiards from a “game for people who fool around and have nothing to do, according to the elders,” to a recognized sport that led to a boom for the country’s billiards industry.

Other honors and accolades followed.  He received the Presidential Medal of Honor. He was inducted into the Billiards Congress of America Hall of Fame. He starred in the billiards movie Pakners. He was featured as one of 60 Asian Heroes in the 2006 Time Magazine cover story.

And yet, throughout all his fame, he retained an unprecedented modesty, humility, and generosity. Regarding the Time Magazine profile, he asked, “Why me? I have done nothing for Asian life.”  Flush with cash from his winnings, he has still never invested in dentures for his toothless mouth. He looks after his relatives, sending them to school, providing them with housing and food. He describes how his earnings over 30 years do not even amount to what boxer Manny Pacquiao – the Philippines other famous athletic son – earns in one match, but there is no anger in his voice.

One sports commentator describes Mr. Reyes as the “simplest, humblest man he has ever met…not a mean bone in his body.” Ms. Lazaro’s depiction almost borders on caricature: “Dressed simple, always smiling (even without teeth), sometimes scratching his head.”

As I watched and re-watched the 35-minute Probe Profile, I became increasingly cynical. I was convinced that this adult cherub, so idolized by the global pool community that apparently billiards champion Ronny “The Volcano” Alcano pulled out his own teeth in an act of devout inspiration, had serious dirty laundry, which had been overlooked by this canonizing piece of journalism.

But, even after all my online sleuthing, I was unable to pinpoint a tragic flaw.  When Mr. Reyes won $500,000 at the 2005 IPT World Open Eight-ball Championship, he first response was, “this is too much money for me.”  Go on to message boards, where anonymous posters can routinely vilify every person, place, or thing, and Mr. Reyes is endeared and idolized for his humility and impossible shot-making.

In a 2017 essay on Mr. Reyes, Mashkur Hussain wrote:

He is a true living Filipino folk hero, very much in an old-fashioned sort of way. And everybody will tell you two things about Efren: He is the best player in the world in cash games, and the most down-to-earth guy you’ll ever come across… Immune to the political infighting that has plagued the pool world, Efren is unique in that he hasn’t an enemy on the Tour. He is a joy to watch, accepting winning and losing with the same humble shrug of the shoulders. Needless to say, he is revered by all Filipino players who have followed in his footsteps.

In today’s era of #FakeNews, do not make the distrustful mistake that I did and conclude that this biographical portrait cannot be accurate.  In fact, quite the opposite, it seems Mr. Reyes is every bit deserving of such acclaim. So, whether you call him Efren or Efrey, Bata or The Magician, I’m sticking with my sobriquet, The Saint.

Alcoa Theatre – “Goodbye Johnny”

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It is easy to overlook the “Goodbye Johnny” billiards episode of the NBC anthology series Alcoa Theatre. Almost 60 years old, the series was not particularly notable or groundbreaking, save for the Mickey Rooney episode “Eddie,” which picked up handful of Emmy wins and nominations.  And, “Goodbye Johnny” has a pretty unimaginative plot in which a man, Johnny Keegan, tries to hustle a local mobster in a game of pool in order to win enough money to support his sick wife.  (Spoiler alert: the hustle backfires.)

Goodbye Johnny But, don’t let those banalities dissuade you. “Goodbye Johnny” is, in fact, one of the best billiards television episodes ever, which is pretty amazing given it’s also one of the first known episodes, having aired in February, 1959, during the series’ second season.  (As a reminder, that’s still more than two years before The Hustler shined a spotlight on the art of hustling and led to a nationwide revival of billiards.) Below are my 7 reasons (in no particular order) why “Goodbye Johnny” ranks as a top billiards television episode.

  1. The billiards. All too often, billiards episodes resort to showing a series of trick shots as a proxy for skilled playing. But, as any real player knows, such shots never appear in actual games. “Goodbye Johnny” gets the pool right. A series of montages highlights the well-executed banks, rail shots, breaks, and subtle spin shots. The camera focuses on the lead – which is what really matters – rather than standard, TV-friendly multi-ball shots that suffocate the genre.
  2. Pop’s praise of Keegan. In the first billiards sequence, Johnny Keegan is practicing his game, preparing for his future hustle. It’s a marathon practice session that catches the eye of the proprietor, Pop.  At the end, Pop comes over and fawns over Keegan’s game: “Beautiful shooting. Beautiful. I never seen such shot-making. Banks, combinations, longs, shorts, cuts, breaks. You own every shot in the book. Beautiful.” It’s a beautiful rhapsody, indeed.
  3. Goodbye Johnny“Bird dog”. In my years of watching billiards movies, I’ve heard a lot of hustler lingo, but “bird dog,” as in “I’ll bird dog for you, boy, but I want 25%,” is a first…and I love it! The dictionary defines it as “to watch closely,” but it has a more urban meaning, “to locate special items or people,” such as marks for Keegan’s hustle. Someone page Will Shortz: this word is New York Times crossword-ready.
  4. Tony Busso’s manicure. The first time we meet mobster Busso, he is…getting his nails trimmed. This is big boss Busso? In fact, many real mafiosos were known for their impeccable attire and grooming (cf., John Gotti Jr. and hitman had nails done after murder). As with the billiards, the emphasis on the manicure speaks to the subtle tone and imagery of the episode.
  5. Goodbye JohnyOpening the cue case. Having recently re-watched Raider of the Lost Ark, Keegan’s initial unveiling and opening of his cue case reminded me of Belloq’s opening of the ark. We don’t see the cue, but know something magical resides within the case, and that once opened, there is no turning back.
  6. Discarding the cue case. Once Busso learns that he’s “the fish” who has been hustled, we know Keegan’s days are numbered. We don’t need to see him get beaten or killed, which would be inconsistent with the show’s nuanced tone. Instead, a couple of Busso’s gorillas put Keegan into a car and toss his cue case into the street, symbolically heralding his violent demise.
  7. Uncle Ben. Take a good look at Keegan. That’s Uncle Ben Parker!  Actually, it’s actor Cliff Robertson, 43 years before his famous role as Spider-Man’s uncle (R.I.P.), as well as 10 years before his Oscar-winning Best Actor performance in Charly.

Unfortunately, Johnny’s exit was just the first good-bye. Fourteen months after “Goodbye Johnny” aired it was good-bye Aloca Theatre, as the series was eclipsed by Aloca Presents: One Step Beyond, and then by Aloca Premiere, which ran until July 1963.

Mr. Lucky – “That Stands for Pool”

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Mr. LuckyFollow the money.  First, there is the $100,000 bet between Mr. Lucky and the gambling thug Nick Popolous.  Then, confident Mr. Lucky will throw him the game, Nick convinces the high-roller Mark Langdon to also bet $100,000 on Mr. Lucky.  Knowing Mr. Lucky will have to lose $100,000, his good friend Andamo creates a hedge, convincing J.B., another high-roller, to bet him $100,000 against Mr. Lucky.  This series of bets, summing to more than $2.5 million in today’s dollars, forms the plot of the 1959 Mr. Lucky episode “That Stands for Pool.” 

If you blinked in 1959, you may have missed the short-lived CBS television series Mr. Lucky. Created by Blake Edwards, who had much more success with The Pink Panther series, Peter Gunn, and Breakfast at Tiffany’s, Mr. Lucky ran for just one season. The show starred John Vivyan as Mr. Lucky, an honest professional gambler, who operated a legal, floating casino aboard the ship Fortuna. He is assisted by his close friend Andamo (Ross Martin). Each episode focused on Mr. Lucky playing host to various millionaires, playboys, rogues, and roughnecks, typically engaging in some kind of betting activity.

In the episode “That Stands for Pool,” Mr. Lucky is forced to accept the aforementioned $100,000 bet, having been assured, in the typical hooligan vernacular, that if he chooses to win, welch, or decline the wager, he will lose his life. As subsequent sidebets and hedges are lain, the episode builds to the culminating match of straight pool, which initially is for 100 points, but becomes a 500-point game to avoid any lucky streaks.

Mr. LuckyThe match itself, like the overall episode, is pretty unremarkable, marked by an absurd number of unrealistic thrown shots and standard trick shots. The match’s onlookers also seem to have an over appreciation for even the most basic shots.  And, Mr. Lucky’s inability to stay awake to finish a 500-point game is unbelievable, even for cheap laughs. (After all, it was only 5 years before the airing of this episode when billiards legend Willie Mosconi ran 526 balls in straight pool in just one turn.)

The circle of bets, however, is mildly interesting, as it got me thinking about betting and the legality of gambling in billiards. While ample celluloid has been dedicated to hustling in pool, less has been devoted to betting.  The irony, of course, is that the very word “pool” has its origins in betting. Whereas today a “poolroom” means a place where pool is played, in the 19th century a poolroom was a betting parlor (for horse racing, no less.  The pool tables were added so patrons had something to do between races.).

Even after having done some research, the legality of gambling on billiards seems a bit murky to me, and can depend heavily on state law, but the best I can discern is:

  1. Lucky’s initial bet with Nick would be legal in most places because it’s legal to bet on yourself in a game of skill when you’re playing the game. (Of course, threatening to kill someone is not exactly legal.)[1]
  2. Nick’s initial bet with Mark Langdon would be illegal, at least in some places, because Nick is betting with someone not playing the game on the outcome of the game.
  3. Andamo’s bet with J.B. would be illegal, pretty much everywhere, because neither person is playing the game.

Ultimately, a bunch of people are threatened, some guns are waved, some goons do some chasing, a face is right-hooked (Mr. Lucky’s, no less by his inamorata Maggie) and yet somehow, all debts are settled, followed by Mark Langdon’s parting words of warning, “don’t you ever try to pull another fast one on me…if Lucky didn’t win that game, you’d both be dead.”

All this makes for a rather happy Mr. Lucky.  Unfortunately, Mr. Lucky was not as fortunate. After just 34 episodes, the series was cancelled. According to Mr. Vivyan, “[the series] had good ratings, but Jack Benny’s production company had another show it wanted for our time slot. It wasn’t much of a contest, and CBS dropped us.”[2]

[1]      Fun #billiardsmovies fact: Stanley Adams, who plays Nick Popolous, later played Sure-Shot Wilson, another chain smoking pool hustler, in “The Hustler” episode of The Odd Couple from 1973.

[2]      Interview given by John Vivyan to Vernon Scott at United Press International in 1960. (Source: Television Obscurities.)

Break (in production)

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Michael Elkin BreakLess than two weeks ago, billiards movie enthusiasts, such as myself, started geeking out, agog over the announcement that Rutger Hauer was going to star in the upcoming snooker film Break. Mr. Hauer had been cast to play an old-time gangster, but for fans of his oeuvre, and especially those who still memorialize him as Roy Batty from Blade Runner, the specifics of the role in Break were irrelevant. It was simply the fact that he would be returning to the silver screen – and in a billiards movie, no less.  Because let’s face it, the recent entrants into the billiards movie genre (e.g., 9-Ball, Massé, HeartBreak) have not exactly been overflowing with megawatt stars.

According to a recent article in Variety, Break is about Spencer Pryde (played by Sam Gittins), a talented kid snooker player from a rough neighborhood who is dragged into crime. A chance encounter with a Chinese billiards champion (presumably played by China’s currently number two ranked snooker player Liang Wenbo) gives Spencer a chance to turn his life around and escape his tough surroundings. Like many other billiards films (e.g., The Color of Money, Kiss Shot, The Baron and the Kid), the movie ends with a climactic billiards match, in this case, the World Snooker Championship filmed at Sheffield’s Crucible Theatre, the true home to professional snooker.

While Mr. Hauer’s casting is news, there has been buzz about Break for years.  In January, 2016, I had the opportunity to interview director and writer Michael Elkin about his forthcoming movie, which at that time, was quite early in its conception.  (Production is now underway with filming scheduled to occur in Beijing and London.)

Mr. Elkin shared with me his reasons for making Break:

I grew up on a council estate in West Norwood, South London and…we had several snooker halls in neighboring areas, such as Brixton, Crystal Palace and Tulse Hill. As a kid, I would often skip school and spend the day in one of them with a pal.

I am now 43 years old and sadly [those] snooker halls are all gone. Many were closed after complaints from local residents about late night drinking, drug dealing, fights and in Norwood’s case, a fatal shooting.

I first started writing Break in January of 2010 after reminiscing with a pal [about] one of the young guys there being a very good player, but he wasn’t interested in pursuing it. We wondered whatever happened to him and the seed was planted.

I started to think, what if this kid had wanted to make it, but was in to something he couldn’t get out of, or maybe he didn’t want to. Maybe he preferred the idea of being a crook, a bad guy. The idea, literally started with an image I had of a young guy in a smoky, dimly lit snooker/pool hall, brandishing a broken cue as a weapon.

I sat down and drew a picture of a kid in a hooded top, standing behind a table ready to strike anybody that came near him with the butt-end of a snooker cue. I stared at the picture a while, cogs whirring and decided on the idea of this troubled kid with a talent, but very little else in the way of guidance.

What this kid needed was a Break…I wrote the first draft in about two months, but wasn’t happy with it, so put it in a drawer and forgot about it for years. Recently I took it out of the drawer, gave it a polish and thought, okay this is pretty good now. Let’s do it.

Like many filmmakers who choose to make billiards central to their stories, Mr. Elkin was aware that too little snooker and the film loses its authenticity and narrative thread; too much snooker and moviegoers will grow restless with the slow pace.

Michael Elkin BreakRecent news developments, coupled with Mr. Elkin’s comments to me, indicate he intends to balance this deftly.

The movie’s realism is informed not only by the collaboration with the World Snooker Association, and the filming at Sheffield’s but also the casting of global snooker pros such as China’s Mr. Wenbo, Ireland’s Ken Doherty, and Britain’s Jack Lisowski. Mr. Elkin intends to focus especially on “a variation of pots such as doubles, long pots and plants rather than the cue ball being stuck behind the brown whilst a player deliberates how to get out of it. Clever shots mostly.”

But, at the same time, Mr. Elkin explains, “Although I love to watch [snooker], I am aware that film fans are not settling in to watch a snooker game. Break is an urban drama where snooker just happens to be our protagonists’ way out of a bad situation.  That said, there is of course plenty of snooker action to satisfy fans, but also enough drama to make it a film. Think ‘Rocky with a snooker cue’.”

That Mitchell and Webb Look – “Snooker Commentators”

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“Well that was a lucky chance for young Mark Deacon, but as usual, he approaches the table with – how does one put it – a face like a slapped ass.” — Peter DeCoursey

Mitchell and WebbWhen it comes to snooker commentary, Ted Wilkes and Peter DeCoursey are in a class by themselves. Exactly what class is another question.  The two retired players, perpetually drinking, chain-smoking, and sweating in their airless cramped radio booth, spend the bulk of their on-air time talking insensitively about the players and sharing inappropriate stories, such as Mark Deacon’s attempts at suicide, or – how shall I put it – “bids for oblivion.”

Of course, that’s the comic genius of David Mitchell and Robert Webb, who respectively play Ted and Peter on each “Snooker Commentators” segment of their British sketch comedy That Mitchell and Webb Look.

Mitchell and WebbThe comedians’ dipsomaniacal duo first appeared on the radio show That Mitchell and Webb Sound. Then, in 2006, the ex-snooker-shooting sots, along with numerous other sketch characters, moved to television, where That Mitchell and Webb Look eventually won a BAFTA aware for “Best Comedy Programme or Series.”

Though That Mitchell and Webb Look ran for four seasons between 2006 and 2010, I could only locate a handful of “Snooker Commentator” sketches, all from the first season.  Always kicking off with Ted’s catch phrase, “Oh, that’s a bad miss,” and one of the duo bringing in the evening’s potables, the first episode starts with the pair mocking past-his-prime snooker player Harry Vaughn and the final episode ends with Ted and Peter revealing the secret snooker lyrics behind Chris de Burgh’s career-launching anthem, “The Lady in Red.” (Never seen you looking so shiny as you did tonight | Never seen your baize so tight |You are amazing.)

In the real world of snooker, with its genteel traditions, it would be unimaginable to have commentators as boorish as Ted and Peter. However, snooker commentary has not been irreproachable. In 2016, the snooker commentator John Virgo said during the semi-finals of the World Snooker Championship, “I wanted to watch a bit of racing this afternoon. I’ll be lucky to watch some f****** Match of the Day.” Apparently, he thought his microphone was off.

Similarly, the former cueman Willie Thorne was commentating in 2017 during the first day of the Betfred World Championship when he said to his co-host Peter Edbon (in reference to the struggling match player Anthony McGill), “When you ‘go’ here though Pete, it is a f****** nightmare this place.”

But, these vulgar verbal bloopers are rather mild compared to gaffes uttered by sports announcers across the Channel here in the U.S.

For example, Jimmy ‘The Greek’ Snyder said to a reporter in 1988, “The black is a better athlete to begin with because he’s been bred to be that way…This goes back all the way to the Civil War when the slave owner would breed his big black to his big woman so that he could have a big black kid.” CBS fired him immediately.

Or, how about ESPN commentator Mark Madden, who said in 2008, “I’m very disappointed to hear Senator Ted Kennedy of Massachusetts is near death because of a brain tumor…I always hoped Senator Kennedy would live long enough to be assassinated”?  And then there is Fox Sports baseball commentator Steve ‘Psycho’ Lyons, who blasted outfielder Shawn Green for skipping a game because of the Jewish holiday Yom Kippur. Lyons said, “He’s not even a practicing Jew. He didn’t marry a Jewish girl…And from what I understand, he never had a bar mitzvah, which is unfortunate because he doesn’t get the money.”

And these sleazebags are not even the worse of the lot. Remember Marv Albert, who sodomized a woman and then forced her to perform oral sex, all while supposedly wearing white panties and a garter belt? Sean Salisbury was an NFL analyst for ESPN when it became public that he sent pictures of his private parts to ESPN female employees. Seven-time Pro Bowl player Warren Sapp joined the NFL Network as a commentator only to have his contract quickly terminated after he was arrested on suspicion of soliciting and assaulting a prostitute.

Finally, there is the all-time king of scuzz, local New Orleans sportscaster Vince Marinello, who murdered his ex-wife in 2006.  He shot her twice in the head. His cover-up was so poor that at his house the police found a “to-do” list related to the murder, along with records of him purchasing the type of bullets used for the murder.

So, Ted and Peter may not be most polished pair, but compared to some of their real-world counterparts, I’m quite willing to overlook the occasional stein, or six, of ale.

Top 10 Wish List of Billiards Screenplay Adaptations

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billiards fictionIn 1955, author Walter Tevis, at the age of 28, had his billiards short story, “The Big Hustle,” published in the August 5 issue of Collier’s magazine. That tale about the rivalry between Ned Bales and the Hot Springs Babe was never adapted for the silver screen.  However, his short story “The Hustler,” published in Playboy in 1957 and expanded into a novel in 1959, is a pool ball of a different color altogether.  That story became the ground-breaking, billiards-blazing 1961 film The Hustler, recipient of nine Oscar nominations and widely credited with sparking a resurgence in the popularity of pool.  And, of course, Mr. Tevis’ 1984 novel The Color of Money, which two years later Martin Scorsese adapted into the eponymous film, was equally impactful on the industry and lauded by pool and movie fans everywhere.

Though The Hustler and The Color of Money are the most successful screen adaptations of billiards-themed fictional works, they are not the only examples.  Cedric Yamanaka’s short story, “The Lemon Tree Billiards House,” was turned into a short film of the same name in 1996.   The director Francis Ford Copolla worked with author S.E. Hinton to adapt his novel Rumble Fish, which includes a decent amount of billiards, into the 1986 movie. Even Isaac Asimov’s sci-fi short story “The Billiard Ball” has been turned into a Claymation film.

All of this got me thinking: if the two most popular billiards movies are both based on adapted screenplays, and if other fictional works have also provided good source material for films, then perhaps there is a whole treasure trove of untapped novels and stories that can be equally mined for billiards gold. Therefore, I present my Top 10 Wish List for Billiards Screenplay Adaptations.[1]  (Note: for the purpose of this post, I limited my scope to fiction, but there are some amazing memoirs and biographies of the sport’s most colorful characters, that warrant a separate top 10 wish list in the near future.)

  1. “A Billiard Lesson” by A. A. Milne. Though Mr. Milne is best known as the creator of the world’s favorite anthropomorphic teddy bear Winnie-the-Pooh, he was a prolific writer of plays, poems, and short stories, including “A Billiard Lesson,” first published in the British literary humor magazine Punch in 1911. The short story focuses on a game of English billiards between an alleged billiards expert and Celia, his friend/student, who unwittingly wins the game without understanding at all how to play or how the game is scored.

 

  1. The Cue Ball Mystery (Series) by Cindy Blackburn. South Carolina author Cindy Blackburn does not play pool. But, Jessie Hewitt, the pool shark protagonist of the six books in the Cue Ball Mystery series, certainly does.  The novels – Playing With Poison; Double Shot; Three Odd Balls; Four Play; Five Spot; and Six Easy Pockets – all focus on the intersection of Jessie’s former pool-hustling days, her current days penning romance novels and her struggling love life.

 

  1. One-Pocket Man by Albert Betz. The simple fact that native Philadelphian Albert Betz writes about one-pocket from personal experience earns his debut novel One-Pocket Man a place on my list. Published in 2005, the novel focuses on Danny Bonto, a Chicago mid-level enforcer who is given a new life, identity and job by the Fed in exchange for ratting out his boss. But, in his new hometown of Philadelphia, he runs afoul of the mob while working in a local poolroom, where he also takes a teenager under his wing and teaches him the nuanced game of one-pocket.

 

  1. “The Billiard Table” by James Hall. According to Robert Byrne, author of the anthology Byrne’s Book of Great Pool Stories, James Hall’s “The Billiard Table” from 1829 is likely the first short story with a billiards theme ever published. Though the writing is rather stilted, the story is elegant in its simplicity. Mr. St. Clair, an aristocrat gifted at English billiards, loses a match and a large sum of money to a hustler. Terrified how his wife might react, he races home only to find she is no longer there, which he quickly assumes is a result of the attention he gives to the game and his neglect of her.

 

  1. Do It for the Game by Robert Campbell. Reviewing Robert Campbell’s bio, it’s clear this man loves pool. He owns a pool hall in Bradford, Massachusetts. He published a monthly newspaper, “All About Pool…Everywhere.” He contributed articles to several national billiards publications. He’s been inducted into the New England Pool & Billiards Hall of Fame. And, in 2002, he published Do It for the Game, a novel about Brian Dwyer, a man down-on-his-luck who returns to his hometown and rediscovers his joy for pool and the life lessons of the game. The novel includes the usual cast of colorful hustlers (e.g., Weasel, Snake, Zig Zag), but the storytelling rings true among reviewers who have lived in his shoes.

 

  1. Screenshot 2025 10 11 at 11.12.51 AMSticks by Joan Bauer. The sole work on this list aimed at the Young Adult crowd, Sticks is a 2005 novel written by the highly acclaimed, Newberry Honor Medal recipient Joan Bauer. The novel’s protagonist, 13-year-old Mickey Vernon, is preparing to compete is the most important pool tournament of his life. But, to win, he must deal with a more experienced and mean rival, his mother’s rules and reservations, and the reappearance of a pool expert and family friend with a troubling past.

 

 

  1. Billy Phelan’s Greatest Game by William Kennedy. The middle member of William Kennedy’s much-loved “Albany cycle” trilogy (which includes Legs and Ironweed), Billy Phelan’s Greatest Game centers on Billy Phelan, a small-time, Depression-era pool hustler, poker player, bowler, and bookie. As in the movie Three Card Monte, billiards comprises only a small percent of the dimly-lit, back-alley action, so it’s debatable whether this novel should be eligible for this list. But, as one might expect from a future Pulitzer Prize winner, the writing is so precise and evocative, that it’s hard to argue it’s movie material.

 

  1. “A Game of Billiards” by William Sansom. Talk about creepy. First published in 1952 in a collection of William Sansom’s work called A Touch of the Sun, “A Game of Billiards” is a short story about a narrator who is trapped in a room with a large man who imagines they are locked in a close billiards match. His oversized opponent is intense, meticulous in everything from his cue-chalking to his angles, brags about shots that will “please Mother” and yet is quite menacing whenever the narrator tries to cut short the pretend game.

 

  1. Billiard Blues by Maxence Fermine. Published in 2004, Billiard Blues, by French author Maxence Fermine, is a collection of three stories that each take place in different cities, several decades apart. The first story occurs in 1930s Chicago and focuses on John Lee Hooker, years before he becomes the world-famous blues musician. Hooker attends a billiards match between Willie Hoppe, perhaps the greatest pool player ever, and Al Capone, the notoriously vicious gangster who ruled over Chicago during the Prohibition Era. Bet you’d want to be a fly on the wall for that game.

 

  1. “The Hungarian Cinch” by Bill Pronzini. The trope of Aliens on Earth is fertile ground for Hollywood, ranging from films about hostile adversaries (e.g., Invasion of the Body Snatchers; They Live) to misunderstood companions (e.g., E.T.; The Iron Giant). Bill Pronzini’s sci-fi short story, “The Hungarian Cinch” (1976), is somewhere in-between, perhaps closer to Neil Blomkamp’s genre-breaking film District 9, in which aliens co-exist with humans in a tightly regulated environment. In the story, the world’s greatest one-pocket player, Fancy Fontana, is set to play Randolph GQ-XIV, an orange-skinned, hairy-legged, extraterrestrial who has never played the game before, for $50,000. The opportunity seems to good to be a true – a rare ‘Hungarian cinch’ (in the hustler’s parlance). But, of course, competing against aliens never quite goes as planned.

So, there you have it.  It’s time to pause on the sequels and punt on the reboots. Hollywood, are you taking notes?  And, just in case, these ten titles didn’t stir your creative juices, I’ve included below covers from some of the other novels that I considered in curating this billiards screenplay wish list, not to mention the other 27 short stories sourced by Robert Byrne.

[1]      This post would not have been possible without reading, and being inspired by, Byrne’s Book of Great Pool Stories (1995). Thank you Mr. Byrne for your research and curation.

Massé

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In an interview with IndieWire, Christian Blauvelt, the Deputy Culture Editor for the BBC, talked about the guilt he felt, when he worked Hollywood.com, giving a zero out of five star review to Paul Schrader’s The Canyons.  He shared, “I feel guilty for hating The Canyons so much because Schrader himself is not only a filmmaking legend but a delightful human being… truly honest and giving.”[1]

MasseAs I finished watching Jay Taylor’s Massé, which is a terrible movie, Mr. Blauvelt’s sentiment resonated with me.  Though I have never met Mr. Taylor, I suspect he’s a good person who, along with his wife Courtney Shumway, the film’s script consultant, put his blood, sweat, and tears (and probably a decent amount of money) into making this film.

I’ve never made a film, so how can I so audaciously tear apart this man’s opus? I don’t for a moment believe I could do better. But, at the same time, I have an obligation to my readers to provide my honest thoughts.  Otherwise, I’m just a rubber-stamper, endorsing any film with baize, balls, and cue, simply because billiards is so starved for attention and mainstream recognition.

Mr. Taylor opted to name his film Massé because, like the famous trick shot in pool, his movie “has some twists and turns so [he] thought the idea of naming after a curve shot in pool appropriate.”[2] Alas, those twists and turns are just some of the many problems with the film. The characters are wooden, the acting is amateur, the scenes don’t effectively tell a story, and the billiards is largely irrelevant.

The story follows Jack Pappas (played by Johnny Alonso, who currently stars in Gotham as Kazz, bass player for the Penguin’s house band at Oswald’s Nightclub), who has had a troubled past.  He’s content to hustle pool for a living, but his life takes a turn when his ex-flame, Sara (Barb Myers) shows up.  His conflicting emotion leads to some anger-rich pool playing, an endlessly long sex scene, a ridiculous fight scene (including a cue ball to the head…take that, bad guy!), and a noir gun-shooting finale with bad special effects.

MasseBack to the billiards.  In an interview segment for Click On This Show, Mr. Alonso revealed that he “shot pool for 50 days…So I got pretty good. I got really good.  These boys (from APA) taught me a lot of stuff…some nights we were on set shooting until 2 in the morning.”

I don’t doubt that Mr. Alonso’s game improved significantly, but it’s a shame his newfound prowess didn’t translate to the screen.  There are two main pool scenes in Massé. Both exist to establish that Jack Pappas is a skilled player, whose go-to hustle involves his close friend Pete (Jonathon Ruckman).  But, the actual pool-playing lacks any excitement.  The shots are basic and the games are uninteresting. Moreover, they don’t advance the characters.  Other than establishing that Johnny is a risk taker, the hustling never goes anywhere. He might as well be throwing darts.

Mr. Taylor said, “Massé runs the gamut of emotions, from happiness to anger, fear to excitement, and lust to sadness.”   Unfortunately, he omitted boredom, perhaps the most prevalent emotion for this reviewer.

Massé premiered at the Charles Theatre in Baltimore on October 15, 2014.  The movie was produced by Bad Ferret Films, which no longer exists.  The billiards scenes were shot at Cobblestones Bar & Grill, which closed in 2017, in York, Pennsylvania.  The movie is available to rent or buy on Amazon.

[1]       “Critics pick the worst movies they’ve ever reviewed,” IndieWire, June 19, 2017.

[2]       “Interview with Director and Filmmaker Jay Taylor,” DC Metro, January 2, 2013.

You, Me & Them – “The Legend of Old McCreadie”

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On May 3, 2013, Judd Trump was shooting against Ronnie O’Sullivan in the semifinals of that year’s World Snooker Championship. Down 4-32 in the frame, Mr. Trump lined up for his shot when a loud farting sound thundered through the Crucible Theatre. Described as a “bit of noise in the crowd,” the sound, which some later ascertained was created by a fart machine, had the audience in guffaws until the referee was able to quiet down the crowd. Mr. Trump may have regained his concentration, but he ultimately lost the match 17-11.

Old McCreadieAlmost six months later, another snooker match was repeatedly disturbed, this time by a mixture of ill-timed sneezes, cell phone rings, and the occasional crinkling of a too-new Danny Zuko leather jacket.  Fortunately, this was not another WSC match, but rather the plotline of an amusing television episode of You, Me & Them entitled “The Legend of Old McCreadie.” The full episode is available to watch here.

Even for Brits, You, Me & Them may be hard to remember. Airing on UKTV in 2014, the original comedy series lasted only 12 episodes before it was yanked. The show centers on a married couple, Lauren Grey (Eve Myles) and Ed Walker (Anthony Head), who are madly in love despite their 26-year age difference.  Their families think a quarter-century age gap is irreconcilable, but in fact, the couple do just fine while everyone around them is engulfed in chaos and craziness.

Like many sitcom episodes, “The Legend of Old McCreadie” has several interlocking stories, including one thread in which Ed and his father-in-law Clive (Jeff Rawle) decide to do some family bonding by attending a local snooker match where they can get “drama and excitement, yet peace and quiet.”

Their troubles start when Clive begins violently sneezing as a result of an allergic reaction to the mohair jumper of the woman seated in front of him.  Then, Ed’s leather jacket, which has never been broken in, makes distracting squeaking noises each time he moves.  Thus, to avoid moving, he enlists Clive’s help to scratch his itches, raising eyebrows from those around them.  Adding to the awkwardness, Clive’s wife keeps calling his cellphone to get the alarm codes as she fears someone may be breaking into the house.  The situation only gets worse as Clive attempts to hand signal the alarm code over live television, since he knows his wife can see him on the telly.  Whatever patience the players, referee, and audience members had exhibited up to this point completely disappears and cacophony ensues.

The episode scores points for lampooning the genteel core of snooker. After all, this is a sport in which “the players wear bowties and waistcoats, the referees are dressed formally with white Mickey Mouse gloves, and the crowd is mainly hushed and silent.”[1]

In describing the “intensity of silence” as one of the “characteristics of true snooker,” one writer said:

Some players might actually prefer more of a constant backdrop of noise, but that’s not in the foundations of the sport. Yes, the sport came from an Imperial room of commission officers, but walk into any snooker club now and pretty much the only noise heard is coming from the tables, cues, balls and pockets.  And for the fan, the knowledge of having to stay as quiet as possible adds to their own intensity in that moment.[2]

Amidst this revered soundlessness, is it any wonder that Ed and Clive’s peccadillos are received with such disdain?

In fact, similar offenses have led to snooker audience members getting stern warnings and even outright ejections from the matches.  Such was the case when an audience member got a bit too boisterous at the Ronnie O’Sullivan vs. Mark Selby Masters Final in January 2014.  And, in Mr. O’Sullivan’s match against Gary Wilson in April 2017, a drunk heckler had to be removed due to his disruptive behavior.

Of course, had Ed and Clive come to watch Kyren Wilson compete against Mark Allen in the semi-finals of the 2018 World Snooker Championship, perhaps they would have been a bit more lucky.  As snooker fans may recall, Mr. Wilson was down 32-45 with a difficult lead on the 6-ball, when he was interrupted not once, not twice, but three times by a spectator’s mobile phone. And though the referee was quick to oust the culprit, it was Mr. Wilson who said, “Don’t kick him out, just turn the phone on silence,” which won applause from the audience.

Mr. Wilson went on to beat Mr. Allen 13-6.  You draw your own conclusion.

[1]       “The Complete Guide to Understanding Snooker,” April 13, 2017.

[2]       “It’s There! Can You Keep the Noise Down Please?!,” April 21, 2015.

Hey Kids! Want to Watch Billiards?

Jason Ferguson, the Chairman of the World Professional Billiards and Snooker Association (WPBSA), has argued for the inclusion of billiards at the Tokyo 2020 Olympics because of the sport’s global reach and influence.  According to Mr. Ferguson, snooker is watched by a half billion people worldwide and played in 90 countries. When pool and carom billiards are added, the sport is played competitively in almost every country in the world.[1]

Pat & Mat billiardsI speculate that critical to the sport’s worldwide popularity is the introduction of billiards to children at a very young age through creative and enjoyable television programming. In the past, I’ve blogged about several of such shows, including Pat & Mat (“Billiard”) from the Czech Republic, Shaun the Sheep (“Shaun Goes Potty”) from the UK, and Benrat (“Billiards”) from China.

This time, my globe-hopping, TV-watching peregrinations took me to Scotland, South Korea, and Russia for some billiards-themed programming aimed at the 3- to 8-year-old crowd. It’s hard to imagine how exposure to the sport at such a developing age doesn’t contribute to the ubiquitous phenomenon of competitive billiards.

Nina and the Neurons – Get Sporty: “Snooker”

Nina and the Neurons billiards“How do you play snooker?,” asks one of the two child Experimenters on the “Snooker” episode of Nina and the Neurons, a Scottish television show aimed at helping four to six-year-olds understand basic science.  It’s the type of question that could spark a billiards battle royale. Fortunately, the show’s lead, Nina (Katrina Bryan) is not prone to the braggadocio and showmanship that might accompany a response, but rather enlists her five Neurons (animated characters representing the senses) to answer the question.

In the “Snooker” episode from the 2014 Get Sporty season, the Neuron that answers Nina’s call is Luke, who represents the sense of sight.  Along with the pint-sized Experimenters, Nina and Luke arrange a series of experiments to illustrate various scientific principles of snooker, such as “balls can’t move themselves, so we use a snooker cue” or “balls move in the direction on the opposite side that they’re hit.”  (This particular experiment involves turning the two moppets into giant snooker balls.) Finally, Nina takes the Experimenters to visit professional snooker player Dylan Craig to show how bouncing balls off a rail cushion is another way to move them into pockets. The full 14-minute episode is available to watch here.

Bernard – “Billiards”

Bernard billiardsKnown as Backkom in its native South Korea, the South Korean-Spanish-France computer animated television Bernard series centers on a curious polar bear named Bernard, whose bumbling slapstick antics typically result in the bear being knocked unconscious or being severely injured by the end of an episode. Bernard is also typically accompanied by one or more members of his menagerie of friends, including two penguins, a lizard, a Chihuahua, a do, and a porcupine.

In the three-and-a-half minute “Billiards” episode, which aired sometime between 2006 and 2012, Bernard competes in a game of 9-ball against his lizard pal Zack.  Bernard has a strong break and some modicum of talent, but he’s no match for his lacertilian opponent.  Once it is Zack’s turn, the lizard brings his A-game, making a behind-the-back masse shot followed by a jump shot the length of the long rail and then a second masse shot.

Realizing Zack is about to run the table, Bernard sabotages his game, frightening him into missing a shot and then blocking the path of the 1-ball with his ursine girth. This causes the frustrated lizard to quit. But, the moment Bernard attempts to savor his victory, he slips on a discarded ball, banging his head on the side table, and falling unconscious. The full episode is available to watch here.

Kikioriki – “The Game Must Go On”

Kikioriki is a Russian animated television series that consists of more than 200 episodes, each 6 minutes and 30 seconds, aimed at children 3- to 8-years old. The series premiered in 2004. Four years later, the English-language rights were acquired and it began airing on The CW under the name GoGoRiki. Created as part of Russia’s cultural-education “World Without Violence” project, the series features stylized round animals, known as Smeshariki, that engage with one another around complex themes

KikiOriki billiardsIn “The Game Must Go On,” which aired in 2009 as part of the second GoGoRiki season, Dokko, a golden moose who is an eccentric scientist, and Carlin, a dark blue crow, play a friendly game of billiards that gets a wee bit too serious.

Oh, there is so much to like about this episode! For starters, the characters are playing Russian pyramid, a version of billiards that requires opponents to sink 15 numbered white balls. Then, there is the priceless dialogue, such as Dokko’s professorial yet condescending opener: “Billiards is a game where everything counts, both physical and geometrical laws, an eagle sharp eye, a hand steady as a boulder, and ice cold nerves. If you lack even one of those things, you’ll never amount to a much of a player.”

As the match progresses, Dokko has a pitch-perfect comment for everything, whether it’s how to make a shot (“The angle of incidence equals the angle of reflection. Give it a little bit of spin, and release the hounds.”), or why his missed shot was an anomaly (“Even I mess up now and again.  Since it happened now, it won’t happen again.”)

But, Dokko vastly under-estimates Carlin, who starts to make his shots.  The score begins to tighten, and each player refuses the other’s mercy offer to end the game.  As the match progresses, torrential rain pours from the sky (“This isn’t billiards. It’s water polo played with a couple of sticks.”), but neither headstrong opponent will call it quits. Eventually, frustration and exhaustion set in, and the players break their sticks, and rip the table apart to use the rails as makeshift cues.  Only when lightning strikes, electrocuting both players, does the game reach its denouement with the players calling it a draw. The full episode is available to watch here.

Well, that’s enough traveling for one today. Fortunately, the pre-tween, billiard scene is sufficiently thriving that I can return to the topic in a future blog post to review shows such as Pleasant Goat (“The Focus in Billiards”), Danny and Daddy (“Billiards or Worms?”) or BinkieTV (“Learn Colors with Billiard Balls”).  Until then, may our kids learn life’s lessons, one billiard ball at a time.

[1]       “Billiards sports queue up for Tokyo 2020 Olympic inclusion,” Inside the Games, January 23, 2015

Heartbreak

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Approximately 45 miles northwest of Orlando sits The Villages in Sumter County, Central Florida. The fast-growing city, a favorite among retirees, is home to the Old Mill Playhouse, which first opened its movie doors in 2004. And, on March 17, if you were among the 125,000 citizens of The Villages, or anyone lucky enough to be in the vicinity, you had the exclusive opportunity to go to the Playhouse and attend the world premiere of Heartbreak, the newest billiards movie to hit the silver screen.  Alas, the rest of us hapless ones — including myself — will need to wait until at least this summer to have a chance to see this film.

HeartbreakThe movie premiered with little fanfare.  There is a compelling trailer available here, and there is a summary available on IMDB from the film’s producer, Randy M. Dyer.  Heartbreak is “based on the life of a one-time award-winning professional billiard champion down on his luck who encounters a young Korean woman seeking to become the billiard champion to save her son’s life.  What ensues is an emotional and dramatic journey leading to a climactic event that will change their lives forever.”

Unable to learn much online, and frustrated by my own inability to make the trek from New York to Florida to see the premiere, I struck gold on Twitter when I successfully connected with, and subsequently interviewed, the movie’s two leading actors, Brett Rice and Jane Park Smith, and the Executive Producer (and former billiards pro and Pro Billiards Coach) “Coach” Wayne Catledge.

As it turns out, the seeds of Heartbreak have been germinating inside Mr. Catledge’s head for 10-12 years when he was first coaching female billiards players in Asia.  Observing the training regiments of billiards athletes like Kim Ga-young and Eunji Erica Park, Mr. Catledge considering producing a documentary about their approach to billiards and their work ethic.  Soon, that idea morphed into making a full-length movie.

Like many passion projects, Heartbreak had numerous starts and stops.  The script was the biggest challenge. “There were so many scripts that did not fit…that did not respect the industry. They were too focused on the “dark side [of billiards]…I wanted to prove billiards is an upstanding sport and not just [show] the underbelly…I was looking for hope and inspiration like in The Sound of Music,” said Mr. Catledge.

Heartbreak

Jane Park Smith as Mina Lee

According to Jane Park Smith, who plays the lead character Mina Lee, “billiards is such a vital part of the movie. Heartbreak shows billiards in a dynamic, redemptive, light.”  This required the perfect casting of actors, according to Mr. Catledge. And, given the amount of billiards in the movie, the actors needed to seem like real players.  (In fact, the actors perform every shot in the movie, except two.)

The decision to cast Brett Rice in the lead role as Harry Platt was an easy one. Mr. Rice, who has been playing pool for 50 years, elaborated, “I am a better pool player than I am an actor… My grandfather was a shark. We played one-pocket growing up. He taught me the game when I was 10 and told me if I ever beat him, I’d get a shot of bourbon.  Five years later, I finally took that shot.  I played all the time. I used to play in the Army. I even paid for my apartment through pool.”

For the casting of Mina Lee, Mr. Catledge knew Ms. Smith would be perfect, albeit she had never played pool.  “She was cast because of her martial arts and her long expanded fingers would make a great pool bridge. I knew I could train her.”

According to Ms. Smith, that instinct was well-founded: “I didn’t know how to hold a cue stick…I was a blank canvas.  [The training was intense.] If we weren’t shooting or resting, Coach had me do drills, bridges, stroke lining….All pool all the time, so much so that the first week, I would wake up in middle of night having dreams about making shots.  It turned out better than I could have imagined.”

Heartbreak

Ewa “The Striking Viking” Laurance

Adding to the authenticity of Heartbreak are cameos by some of the sports best-known female players. Ewa “The Striking Viking” Laurance has a key role because she is, according to Mr. Carledge, “a great ambassador of the game. [I] always loved her presence, how she handled herself.  She was all in.”  Dawn Hopkins and Shanelle Loraine also appear briefly.

As I’ve not yet seen the movie, I cannot yet comment on whether this trio achieved its goals and delivered a billiards movie that, at its core, is about “hope,” “redemption,” and “unity.”  However, even without yet seeing Heartbreak, I can attest to the passion for pool that is the connecting fiber of the film, as it pervaded each person’s interview response.  Nowhere is that passion more on display than in Mr. Carledge’s comments to attendees at the world premier:

Pool is a colorful world of dauntless personalities puzzling through an enthralling kaleidoscope of patterns.  You will face unpredictable facets of the game and wrestle with bold, nervy souls testing you in the crucible of solitude.  In such wrenching pressure where it is only you, without help from a teammate, can the greatest champions arise.  You and only you can achieve victory.  That is such a blessing for the elite, for victory seldom comes without much failure.

 Everyone has a unique story to tell and I truly love listening to the many colorful variances in the universals.  The grips, the stances, the strokes, the patterns, the breaks, the safeties, the preparation, the mantras, the drills, the diets, the cue, the cloth, the table, the rack, the bridge, the chalk, the powder, the gloves, the taper, the design, the joint, the shaft, the butt, the tip, the tip shape, the rails, the pockets, the balls, the slate, the diamonds, the lights, the air, etc. etc. etc., all lend tremendous variances in playing conditions before you ever face your opponent!  The odds are always stacked…

 And we haven’t even talked about gamesmanship or sharking.  What a colorful sport and treacherous discipline!